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Rare Marbles

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Aventurine, a vihtage glass containing small copper crystals, give lutz marbles their phosphorescent brilliance. Lutzes are the crown jewels of marble collecting and are prized for their beauty and rarity. Colored glass coreless swirls — it was not possible to use colored glass ribbons with a colored glass marble since their interior colors wouldn't be seen, or if they were visible their colors would be muddy or unclear. As a result, colored glass marbles were coreless and were decorated with either bands or swirls of white near the surface, or color applied to the surface. Clam broths — also known as clams, these are amongst most popular of collectible marbles.

They take their name from the chowder white opaque glass from with they are made.

They characteristically have many thin outer swirl lines of contrasting color running from pontil to pontil. Gooseberries — gooseberries are an example of a colored glass marble. They have numerous thin white threats distributed evenly around the surface of the marble. Opaque glass swirls — less translucent than colored glass swirls, opaque glass swirls are decorated with lines, bands and swirls on their surfaces. Indian Swirls — also known as indians, these opaque are made of black glass with outer bands of colored glass. They were named by authors of a marble book who mistakenly claimed that the marbles came from India.

Swirls - could be handmade or machine made. The handmade ones have bands or strands running from end to end. Steelies - ball bearings used as marbles. Many ball bearings are used for industrial purposes. Peppermint swirls — these popular red, white and blue swirls were made around to commemorate the American centennial. Although designs vary, each marble was fashioned from a clear core of glass surrounded by a thin layer of white glass decorated with blue bands and red stripes.

Vintage Marble

The most valued peppermints are sometimes called flags. Onionskins — Although this cane-cut swirl Marble vintage has at its center a clear glass core, it appears solidly colored because the clear core is covered by a thin layer of opaque color and then covered again by a thin layer of clear glass. Extremely popular and highly prized, onionskins take their name from the layering of glass, like layers of an onion. The base color, usually white Marble vintage yellow, was applied by rolling clear glass marble in powdered glass.

Accent colors were added by rolling the heated piece over fragments of crashed glass, creating the speckled effect. There are various types of onionskins: Sometimes mica was added to the glass, thus increasing its value. Onionskins were known to exist from the beginning of the cane-cut marble industry. An early example, dated between and was unearthed in the excavation of an old privy in New Orleans. Micas — Mica was added to many kinds of marbles. The flecks of mica in the marbles add sparkle and glitter when placed in bright light. Micas are made of clear, blue, green, amber and red glass. The rare red micas are much sought after by collectors.

End of day - End of day marbles were fashioned from the glass crumbs left over at the end of a workday. Traditionally, they were not sold but were given as special treats to neighborhood children. To make an end-of-day marble, the worker gathered a small amount of glass at the end of a rod and rolled it over a powdered colored glass that served as a base color. Clouds — like end of day marbles, these marbles were individually made. They are clear glass spheres with bits of colored glass suspended within. The interior colors, blue, red, yellow, white, or green — are in the shape of a hot air balloon and seem to float like a cloud in the transparent marble.

In come clouds, bits of colored glass were set within other colored pieces and required special skill to produce. Clouds are rare and valued by collectors. Sulphides — Sulphides are clear glass spheres with white or silvery figures suspended in their centers — animals, birds, human figures, numbers or other figures. Although so many civilizations played marbles, the rules of the game were apparently passed down through oral tradition. It wasn't until the late s, however, that marbles were manufactured in high quantities. At their peak in the early s, each marble company produced about a million marbles per day.

Marbles are much Marblr common to play Magble today, but they are vintwge a popular collector's item. The Differences Between Old and New Marbles Assessing the age of a marble vinttage be quite difficult, especially with the Mafble of reproductions on the market. However, there are a few details that collectors should consider before making a purchase to ensure that marbles are as old as people say that they are. Some collectors already own marbles of unknown age; these can also be assessed by focusing on these simple factors in vintaage to determine their vontage. How They Were Made Determine if the marble was made by hand or machine. Most old marbles were handmade, but this is not in itself a perfect criterion.

To discover whether a marble was handmade or machine made, look for a pontil: When made by hand, a marble is attached to a stick due to the process of glassblowing, and when the marble is ready, the stick is broken off at the end, leaving a small rough patch where the stick was attached to the marble; this roughness is the pontil. No matter how skilled a glassblower was, there was always a pontil on the finished product. Keep in mind that some handmade marbles are new, and some old marbles were machine made. This is simply a good way to find the most probable possibility. Their Appearance Antique marbles were made of much higher quality materials than modern marbles.

They were also crafted individually, so more care and attention was given to each one. Thus, antique marbles are much brighter and beautiful. While this principle does not guarantee anything, it is one more way to figure out whether a marble is more likely to be old or new. Another matter of appearance to consider is the design in or on the marble. There are so many different designs in circulation that no one could know every possibility, but experienced collectors can help. Certain patterns originated in different countries and were popular at different time periods.

Granted such people got halter, they almost always put your marbles in a bag or box somewhere, never to be bad again. As a difference, lasted big marbles were coreless and were available with either damned or places of white in the swatch, or color iridescent to the surface.

This can make it a little easier to determine the origin of a given marble. The Quality of the Glass Not all marbles contain glass, but most do. Old marbles were made of high-quality glass that did not shatter easily. This was during the 19th and early 20th century when marbles were only collected for the purpose of playing the game, not solely for the sake of collection.

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